Gino Robair

In his own music work (as a soloist and in improvisation ensembles), he plays prepared/modified percussion, analog synthesizer, ebow and prepared piano, theremin, and bowed objects (polystyrene, customized/broken cymbals, faux daxophone, metal).

Gino Robair has recorded with Anthony Braxton,[1] Tom Waits, John Butcher,[2] LaDonna Smith, Otomo Yoshihide, Terry Riley, Lou Harrison, Eugene Chadbourne, Club Foot Orchestra, ROVA Saxophone Quartet, Birgit Ulher, Beth Custer, and Fred Frith, and many others.

In interviews (Paris Transatlantic, The Wire), he notes that the term "energized surfaces" refers to the use of drums as resonators for other objects, which he bows, scrapes, rubs, or activates with an ebow, motors, or compressed air through a horn.

As a composer, Robair has written pieces for a variety of ensembles (including the ROVA Saxophone Quartet), scored numerous Shakespearean plays with the California Shakespeare Festival (where he was music director for five years), and created jingles for radio and television.

His academic work includes composition studies with Barney Childs at the University of Redlands and Lou Harrison, David Rosenboom, and Larry Polansky at Mills College.