Cima da Conegliano

He can be considered part of the Venetian school, though he was also influenced by Antonello da Messina, in the emphasis he gives to landscape backgrounds and the tranquil atmosphere of his works.

This picture is done in distemper and savours so much of the style of Bartolomeo Montagna, who lived at Vicenza from 1480, as to make it highly probable that Cima was his pupil.

Later he fell under the influence of Giovanni Bellini and became one of his ablest successors, forming a happy, if not indispensable link between this master and Titian.

Cima was one of the first Italians to assign a place for landscape depiction, and to formulate the laws of atmosphere and of the distribution of light and shade.

His Incredulity of St. Thomas (National Gallery, London) and his beautiful Nativity (Venice, Santa Maria dei Carmini, 1509) are hardly aught else.