1292–1336) are two panels from a former diptych, dated to 1300–1305, of which the left wing is in the collection of the National Gallery, London, and the right that of the Galleria Nazionale d'Arte Antica, Palazzo Barberini, Rome.
[4][11] The diptych's left wing, once owned by the Barberini family, and subsequently by Pietro and Vincenzo Camuccini, was acquired as being by Giotto by Algernon Percy, 4th Duke of Northumberland in 1853, for £100.
At Alnwick Castle thereafter, the painting passed by descent to the 12th Duke of Northumberland, before being sold at Sotheby's in 2014 for £5.7 million, including buyer's premium.
[14][15] The "jewel-like"[11] painting, showing the influence of Byzantine art and of Giotto, comprises four scenes in an unusual iconographic combination that likely reflects the donor's wishes.
Separated by decorative bands, the six zones of equal size depict, from left to right, top to bottom, the Nativity, with Christ's first bath in the foreground, the Crucifixion, the Entombment, the Descent into Limbo, the Resurrection, with the Three Marys at the Tomb, and the Last Judgment.