His loose brushstrokes, fervid and often dark emotionalism, and tortured poses, which recall at times later expressionism, display stylistic tendencies more typical of Lombardy.

He painted depictions of the evangelists St. John, St. Mark and St. Luke (all late 1720s) for the parish church of Vasto di Goito.

Seven canvases depicting the Life of Alexander the Great were painted for Giacomo Biondi, one of the artist's early patrons.

His altarpiece of St Romuald's Vision, initially painted for the church of San Marco, but now in Diocesan Museum of Mantua,[1] the saint, book in hand, has a dream in which he sees his fellow Benedictine monks ascending to heaven in a clumsy, touching, human parade up a staircase instead of a mystical Jacob's ladder.

The nineteenth-century art historian Carlo D'Arco was unconvinced about this brash new style, and said of Bazzani's work that "(he) wanted always to always use a great force of genius ...and most of his works appear as if unperfected sketches and immature conceptions that are drowning and convulsing in mannered styles.