Throughout his career, he played mainly for Inter Milan in the 1930s, scoring 284 goals in 408 games for the club, and winning three Serie A titles, as well as the Coppa Italia; he later also played for two seasons for local rivals Milan, as well as Turin rivals Juventus for one season, in addition to his spells with Varese and Atalanta.
At the international level, he led Italy to win two consecutive World Cups: in 1934 on home soil, and in 1938 as captain, being named to the All-star Team.
Along with Giovanni Ferrari, Guido Masetti and Eraldo Monzeglio, he is one of only four Italian players to have won two World Cups.
Due to his technical skill, prolific goalscoring, and creative ability, he was often given the nickname Il genio (The Genius) by the Italian press during his career.
Having lost his father in 1917 during the fighting of World War I at the age of seven, Peppe grew up in Milan with his mother, Ersilia who came from Mediglia, helping her sell fruit at the market.
The Opera Nazionale Balilla, the Fascist youth organisation which collected all children aged eight to 14 years, was established in 1926, hence why Conti felt it to be a suitable nickname for the young rookie.
[15][19] Meazza scored two goals on his professional debut, which came in a 6–2 win against Milanese Unione Sportiva in the Coppa Volta di Como, on 12 September 1927.
An injury put him out of action for most of 1938–39 and 1939–40, and after having devoted the best part of his career to Inter, Meazza transferred to AC Milan on 28 November 1940.
This was the last season in which he managed to record double figures in terms of goals scored, helping Juventus to a third–place finish in the league.
A few months later, on 11 May 1930, he scored a hat-trick in a 5–0 game as Italy beat Hungary of Larcos, Hirzer and Pál Titkos for the first time ever while playing in Budapest.
His first fifteen caps were at centre-forward, but in 1933, he showed his versatility during a 3–1 victory over Germany in Bologna, when he was moved to an inside-right position by the Italian coach Vittorio Pozzo, to accommodate teammate Angelo Schiavio, a switch that would help Italy win the World Cup the next year as the goals flowed in.
Meazza was elected into the All-Star Team of the tournament and won the Golden Ball, the award presented to the best player at each FIFA World Cup finals.
Alongside Eraldo Monzeglio, Raimundo Orsi, Raffaele Costantino, Alfredo Pitto, Umberto Caligaris, Luigi Allemandi, Virginio Rosetta & Gianpiero Combi, Meazza is one of only nine (all Italian) players to win two editions of the Central European International Cup (1927–30 and 1933–35); he also finished as the runner-up once with Italy (1931–32),[23] thereby winning two gold medals and a silver medal before the tournament was discontinued due to the Anschluss.
He holds the all-time record for appearances and goals, sixteen and eight respectively, at Central European International Cup tournaments for the Italy national side.
In the semi-final against Brazil, with the score at 1–0 Italy were awarded a penalty after Silvio Piola was fouled by Domingos da Guia.
As Meazza stepped up to take the kick, with a chance to double his team's lead, his shorts fell down, as the elastic in them had ripped; he held them up with his left hand, but he still managed to score, beating the Brazilian goalkeeper Walter from the spot by placing the ball into the corner.
Ten minutes before halftime, after another quick exchange between Ferrari and Meazza, the latter found the unmarked Colaussi with a pass, and the winger netted his second of the game to make it 3–1 at the break.
After the tournament, Piola, who scored five goals in France, paid his colleague the compliment of being responsible for his own good performance: "At the FIFA World Cup, I mainly lived off Meazza and Ferrari".
[22] He played his last match for the national team nine years after his debut, on 20 July 1939 at the Olympiastadion in Helsinki, when he captained Italy to a 3–2 win over Finland.
One day, at the Arena, I witnessed him doing something astonishing: he stopped the ball with a bicycle kick, elevating himself two meters from the ground.
Then he landed with the ball glued at his foot, dribbled over an astonished defender, and then went on scoring a goal with one of his hallmark shots, sardonic and accurate to the millimeter.
Unlike his more reserved friend, international teammate, and club rival Silvio Piola, a player with whom Meazza was often compared, he was known for having a much more flamboyant character both on and off the pitch.
As an offensive playmaker, he was a brilliant passer, two-footed, had remarkable field vision, and was noted for his balance and agility on the ball, as well as his control, turns and spins.
[21][22][17][18][32][33][34] His trademark goals were ones where he would collect the ball at the half-line, dribble through several opponents with a series of twinkle-toed shuffles, and turns, until arriving in front of the goal, where he would stop and invite the goalkeeper to attack him like a matador, before faking a shot, then dribbling past the beaten goalkeeper to slot home easily.
[21][22][36] Vittorio Pozzo, the mastermind coach behind both Italian World Cup victories, wrote of Meazza: "He was a born forward.