[3] Later musicians and composers who made use of malfunctioning technology include the 1968 song "The Best Way to Travel", by Michael Pinder of The Moody Blues, and works by Christian Marclay, who began in 1979 to use mutilated vinyl records to create sound collages.
[4] Yuzo Koshiro and Motohiro Kawashima's electronic soundtrack for the 1994 video game Streets of Rage 3 used automatically randomized sequences to generate "unexpected and odd" experimental sounds.
This came in the form of Yasunao Tone's "wounded" CDs; small bits of semi-transparent tape were placed on the CD to interrupt the reading of the audio information.
[11] Skipping CDs, scratched vinyl records, circuit bending, and other distortions resembling electronic noise figure prominently into the creation of rhythm and feeling in glitch; it is from the use of these digital artifacts that the genre derives its name.
However, glitch today is often produced on computers using digital production software to splice together small "cuts" (samples) of music from previously recorded works.