[21] Miles Raymer of Entertainment Weekly commended Banks for her "sonic ambition and willingness to risk alienating a pop audience with Goddess' gloomy, tweaky beats".
[23] Tshepo Mokoena of The Guardian noted that Banks "lays her emotions bare, at times almost embarrassingly so, sounding raw and vengeful when she belts—and a bit like Fiona Apple in the chirr of her upper vocal register", concluding that although the songs "Someone New" and "Under the Table" "sink into nondescript ballad territory", Goddess is otherwise an "accomplished debut".
[24] Felicity Martin of Clash expressed that Banks' "Aaliyah-like vocals pour from Goddess, while a gang of bleeding-edge underground producers ... concoct soulful beats to cushion them", adding that "her confessional appeal is not lost ... as ballads such as 'Under The Table' hark back to her humble piano-and-voice origins.
"[32] Will Hermes of Rolling Stone found that the album "confirms a beguiling, diaristic voice that echoes avant-pop forebears (Aaliyah, Fiona Apple, Kate Bush) and a taste for gloomy, synth-centric productions.
"[29] Slant Magazine's Sal Cinquemani viewed Banks' "attempts at balladry" as "generally forgettable", but opined that she "excels ... at fusing her pop sensibility with imposing synth pads and hip-hop beats".
"[2] In a mixed review, Andrew Ryce of Pitchfork commented that "there are moments where [Banks] sounds unpretentious and charming", while dismissing her aesthetic as "all trendy misery assisted by equally fashionable producers, without any substance to hold it all up."
"[27] Slant Magazine placed Goddess at number eight on its list of "The 25 Best Albums of 2014", with Annie Galvin commenting, "The alt-pop landscape in 2014 was crowded with sultry female singers backed by über-hip electronic beatscapes, yet Jillian Banks managed to rise above the fray with her debut.
"[34] Rolling Stone named it the 17th best R&B album of 2014, and the magazine's Cady Drell wrote, "More than just an Internet sensation with on-the-nose Nineties R&B throwback hooks, L.A. native Jillian Banks can go from gloomy trance cuts one minute to lyrically explicit soul jams the next—all with an impressively modern gothic touch.