Goddess I is the Taube's Schellhas-Zimmermann letter designation for one of the most important Maya deities: a youthful woman to whom considerable parts of the post-Classic codices are dedicated, and who equally figures in Classic Period scenes.
There, she is chiefly represented in the following ways:[3] The bird species have been argued to refer to the names of specific diseases mentioned in early-colonial medical treatises (especially the Ritual of the Bacabs).
The combinations with a deity or an animal (vulture, armadillo, deer, dog) seem to refer to the prospects of marriage, in the Madrid codex symbolized by the reed mat on which the couples have been placed.
This occurs only once, and involves the aged God L. The prognostication may conceivably refer to the sort of husband that can be expected to take and marry the woman, or to the deity's influence on the female partner in marriage.
[7] Thompson has pointed out that in the Qʼeqchiʼ myth—which is about the earthly life of a mountain deity's daughter before her final transformation into the Moon—the themes of eroticism, fertility, and marriage strongly come to the fore.