Her work is permanently exhibited in Mexico City (Bosque de Chapultepec[2]), Ciudad Juarez, Chihuahua,[3] the Ralli Museum Cesarea, Israel,[4] and in Rouen, France.

Over 50 of her monumental sculptural works are displayed in public and private squares, churches, and cathedrals in various countries, including eight in the United States: Chicago, Illinois, Florida, California, New Jersey, Georgia, Oklahoma, Texas, and New Mexico.

Simultaneously, she began working in the studio of Edgardo Cohlan, a renowned Mexican watercolorist, and attended the National School of Painting, Sculpture, and Engraving at the Instituto Nacional de Bellas Artes en México.

[6] The first ten years of Farías' artistic production primarily consisted of figurative art based on biblical themes, customs, landscapes, and Mexican flora and fauna.

From 1965 to 1975, Farías created monumental female figures that, in the eyes of art critic Berta Taracena, showcased a "skillful summary of pre-Hispanic and Greek forms, with an incredible synthesis of values ranging from the primitive (Fertility Goddess) to the refined (Star Seller, 1982)[7]".

The "Maternidad" series depicts various scenes of interaction between mothers and their children, such as Teaching, Protection, Support, and Tenderness, emphasizing the importance of the early years of life, as the artist believed that "childhood is destiny."