In this period, communities in Britain and Ireland first learned how to work metal, leading to the widespread creation of not only gold but also copper and bronze items as well.
The archaeologist George Eogan noted that investigation of Bronze Age gold artefacts revealed not only "the work of craftsmen and technicians" from that period but also aided our understanding of "broader aspects of society such as social stratification, trade, commerce and ritual.
The Early Bronze Age in the British Isles was marked by the adoption of what archaeologists call the "Beaker culture", which had arrived from continental Europe.
[5] From analysing the designs of the earliest gold artefacts in Britain, Eogan noted that they "form a homogeneous group" which, when "taken in conjunction with other metal types demonstrate that a new technology was introduced.
[8] The transition to the Late Bronze Age brought societal change to the British Isles, and also apparently increased availability of gold, which led to a trend to much larger and more massive pieces.
In 1696, the Ashmolean Museum in Oxford, southern England obtained the Ballyshannon Disk, the first such artefact of its type in their collection, although in ensuing centuries they would gain a number of other items to accompany it.
[13] The British Museum in London would follow suit almost a century later, gaining its first Bronze Age gold artefact, a disk from Kirk Andrews on the Isle of Man, in 1782.
[14] In 1980, Joan J. Taylor published the first comprehensive study of the available evidence, entitled Bronze Age Goldwork of the British Isles.
[15] In 1994, the archaeologist George Eogan published an academic monograph on the subject, entitled The Accomplished Art: Gold and Gold-Working in Britain and Ireland during the Bronze Age, which was brought out through the U.K.-based Oxbow Books.