Gongkar Chö Monastery

The main monastery of the Dzongpa is Gongkar Chode just south-west of Lhasa on the south side of the Tsangpo River.

[2][8] The history of the monastery is traced to the first visit of Jowo-je Palden Atisha, (980–1054 CE), Buddhist teacher from the Pala Empire in Indian subcontinent.

[8] The monastery, situated on the southern side of the Tsangpo River, has in its precincts the main shrine as well as the Shedra, the monastic college.

It is a three-storied structure which houses the dukhang, lhakhangs, the Rinpoche's living quarters and the kitchen with a “perfect arrangement of hermitages and colleges.” The main shrine has an assembly hall, which is a 64-pillared hall, where the new statues of Sakya Pandita, Sakyamuni Buddha, Guru Padmasambhava, Drolma and Dorje Denpa, the founder of the monastery are deified.

The Gongkhang, on the left of the main hall, depicts wall paintings in black colour, on its outer chambers, of the practice of the Sky Burial prevalent in Tibet.

There is also gilt on black painted mural of Mahakala represented as Pranjaranatha (Gonpo Gur), the Sakyapa Protector, in the inner hall of the main shrine and also a few spectacular spirit traps.

The inner sanctum of the monastery has frescos of the Sakyapa founders, painted in Kyenri-style of art and an inner kora (nang-khor).

[4] The monastery was ransacked by red guards during the Cultural Revolution; the main hall was used as a barley silo and murals were defaced with Mao Zedong slogans.

[6] The monastic community (there were 260 lamas in the past, now only 30) perform an annual festival of Mandala rituals from the 6th to the 15th day of the first lunar month, according to the Tibetan calendar.

Much fanfare follows in the form of golden procession, similar to the one held in Lhasa, with offering ceremonies, comprising banners, canopies, streamers, blowing of horns, offering of incense, variety of auspicious symbols and materials, the seven emblems of royalty, the eight auspicious symbols, and the eight substances.

A Mandala drawn during ritualistic Buddhist festivals