[2] At the turn of the millennium he was one of the first to bring chipmusic to a wider audience, and was also an early adopter of live Game Boy music.

[18] One BBC review described his music as microscopic bursts and stutters of atonal sound on which he eventually lays down some beautiful descending bass tones.

[20] Other aliases include Johnny Location, Tomas Delin, GotoET, Susanne, Gordon Strombola, 4D Man, and Crystal Master.

He published his first text in the book From Pac Man to Pop Music in 2008, where he described chipmusic as a medium and form.

[23] Carlsson received his master in Media and Communication in 2010 with his thesis Power Users and Retro Puppets – a Critical Study of the Methods and Motivations in Chipmusic.

His art works are often focused on live performances (2SLEEP1, Gotozilla, Punk Potemkin, Data Jam) or computer violence (HT Gold, Polybius, 44422435 To Nowhere).

He has worked together with artists such as Raquel Meyers, Jossystem, Otro, Videogramo, Entter, Rosa Menkman, Shojono Tomo, and Jacob Remin.

[28] In the same year, he left Myspace and later criticized fellow musicians for trying to be present on too many Internet platforms, advising them to use their own distribution channels instead.

In the netlabel context, he made low bitrate releases such as Copyslave (2004) and also mixed his music together into a megamix with Monkeywarning (2002).

This can be heard in Lo Fi Mono Festival and Papaya EP where he covered music from Yazoo, Kikki Danielsson, The Incredible Hulk, Megaman, Depeche Mode, Barbapapa, etcetera.

[32] He has also remixed more contemporary artists, such as Monster Zoku Onsomb, Icarus, Tim Koch, Psilodump, Damn!