Wilson eventually released the song on his Soundcloud account (with Gavin Harrison on drums), having completed the recording during the Grace For Drowning sessions.

For me the golden period for music was the late sixties and early seventies, when the album became the primary means of artistic expression, when musicians liberated themselves from the 3 minute pop song format, and started to draw on jazz and classical music especially, combining it with the spirit of psychedelia to create "journeys in sound" I guess you could call them.

I've actually used a few jazz musicians this time, which is something I picked up from my work remixing the King Crimson records"[7]The special edition of the album was released on Blu-ray video disc with the music playing in 5.1 surround sound.

Ben Bland of Stereoboard wrote positively of the album, stating "For a work so defiantly widescreen in its intentions as this, it is truly remarkable that there is nothing that could, or rather should, be accused of being filler or being over the top.

"[16] William Ruhlmann from AllMusic gave a mixed review to the album and compared it to Wilson's other projects, Porcupine Tree and Bass Communion, saying "Grace for Drowning has a particular conception in terms of its emotional journey from sadness through anger to acceptance, but it is also just another in a lengthy discography of albums by Wilson under various names in relatively similar styles".

Wilson and longtime collaborator Lasse Hoile announced in late August 2012 that a DVD, filmed live in Mexico City on the Grace for Drowning tour, would be released on 24 September 2012.

[19] "Luminol", from the then-forthcoming album The Raven That Refused to Sing (And Other Stories) was introduced by Wilson in January 2012 and added to the set list for the second leg of the tour.