[3][4] A result of this research was her ambitious post-internet living research/live art project, The Ark: Center For Interdisciplinary Experimentation,[5] that took place from 1 to 10 July 2017.

[7] The book ''Healing The Museum is the first monograph looking at Grace Ndiritu’s diverse practice over the last twenty years, published on the occasion of her mid-career exhibition at S.M.A.K.

In 2019 Ndiritu led a group of museum directors, academics, activists and artists, in a reading group with meditation at the controversial Africa Museum in Tervuren, Belgium, as part of the conference Everything Passes Except the Past organized by Goethe Institut, on the restitution of objects and human remains from Europe back to Congo.

In honor of this, she led a year long programme of exhibitions, performances and talks in collaboration with institutions across the world, which was featured on The Sunday Times radio show with Mariella Frostrup and Elephant magazine.

[11] Her most ambitious shamanic performance to date, A Meal For My Ancestors: Healing The Museum, included staff members of the U.N., NATO and EU parliament, activists, and refugees at Thalielab, Brussels (2018).

[7] A briefing paper on climate change and refugees directly inspired by the performance, written by one of the participants, has now been published by the EU Parliament Research Services (May 2018).

Told through photography, it tells "stories" between similarly disparate objects and events from the Big Bang until now, by conjuring up and making new connections between them.

Closely connected to her interests in the moving image, the various themes in AQFM perpetually expand to create photographic constellations.

Ndiritu's use of pay what you can in her own art practice has influenced several art institutions including Eastside Projects, Birmingham - Artists Led Multiverse Summit[28] and Kunsthal Ghent's[29] admission fee for their new building and Coventry Biennale, UK in 2019 - to adopt a pay what you can policy inspired by Ndiritu's ideas on institutional critique and structural change.

[36][37] In September 2014, Apollo magazine included Ndiritu in both their European and US "40 Under 40", an annual issue dedicated to the ten most important and influential artists under forty.