[1] She studied privately with Ginevra Marinuzzi, then in Rome at the Accademia di Santa Cecilia under Rachele Margliano-Mori with the intention of making a career on the concert platform.
Later she appeared in London at the Royal Opera House, Covent Garden (debut 1956 as Oscar in Un ballo in maschera), at Salzburg, Vienna and in San Francisco.
Nobody could dispute her ability to project the innocence, perky cheerfulness and coquetry found in the many delightful roles written for that kind of voice.
She produced Poulenc's La voix humaine at Glyndebourne in 1977, and Donizetti's L'elisir d'amore at the Royal Opera House, Covent Garden and San Francisco, and in 1985 Mozart's The Magic Flute at Koblenz.
In addition to pirate and radio recordings, Graziella Sciutti’s records include excerpts from Mozart (French HMV), Ines in Il Trovatore, Tebaldo in Don Carlo and Barbarina in Le nozze di Figaro (Cetra), Nanetta in Falstaff (CBS), Norina in Don Pasquale (Decca), Rita (Cetra), Mozart arias and concert arias (Decca), Rosina in Il barbiere di Siviglia (Delysé), Giulia in La scala di seta (RCA), Livietta in Livietta e Tracollo (Fonit), Carolina in Il matrimonio segreto (Columbia), Marzellina in Fidelio (Decca), Lisette in La Rondine (RCA), Amor in Orfeo ed Euridice (DG), Morgana in Alcina (Decca), Ginevra in Ariodante (RCA), Zerlina in Don Giovanni (Philips and HMV), Susanna in Le nozze di Figaro (HMV), and Despina in Così fan tutte (Philips).