Great Mass in C minor, K. 427

The large-scale work, a missa solemnis, is scored for two soprano soloists, a tenor and a bass, double chorus and large orchestra.

In a letter to his father Leopold dated 4 January 1783, Mozart mentioned a vow he had made to write a mass when he would bring his then fiancée Constanze as his wife to Salzburg.

[2] Mozart had moved to Vienna in 1781, but was paying a visit to his home town in the company of Constanze, who had not yet met his father or his sister (Nannerl).

The work embodies pomp and solemnity associated with the Salzburg traditions of the time, but it also anticipates the symphonic masses of Joseph Haydn in its solo-choral sharing.

[2] On 20 August 2016 the version reconstructed by Helmut Eder was performed at the Royal Albert Hall, for the first time as part of The Proms series, by the BBC Scottish Symphony Orchestra and BBC Symphony Chorus, with Ilan Volkov conducting and featuring Louise Alder, Carolyn Sampson, Benjamin Hulett and Matthew Rose.