During her years at Monument, Smith largely recorded Country pop material that also mixed with Adult Contemporary and Disco.

The additional singles ("They'll Never Be Another for Me," "Smooth Sailin'," "Ten Thousand and One," and "Don't Say Love") reached lower positions on the Billboard Country Chart.

Allmusic reviewer Stephen Thomas Erlewine gave the album two and a half out five stars, saying that fans did not like these recordings, stating "It's easy to see why fans of pure country -- the kind of music Connie Smith effortlessly made during the '60s -- are not crazy about her late-'70s recordings for Monument.

Erlewine also said that he did not find the music similar to that of the Urban Cowboy movement in country music around that time, saying, "...it's not a very good showcase for her talents, nor is it very good as crossover pop -- it's too square and middle of the road, making the urban cowboy bubbling up at the time seem risky and edgy.

The website stated that there was "better material buried on her various late-'70s Monument LPs" (Pure Connie Smith and New Horizons).