Green Book had its world premiere at the Toronto International Film Festival on September 11, 2018, where it won the People's Choice Award.
He is invited to an interview with Dr. Don Shirley, an African American pianist in need of a driver for his eight-week concert tour through the Midwest and Deep South.
Don's record label gives Tony a copy of The Negro Motorist Green Book, a guide for African American travelers that contains the addresses of those motels, restaurants, and filling stations that would serve them in the Jim Crow South.
Don is later found in a homosexual encounter with a white man at a pool, and Tony bribes the police officers at the scene to prevent his arrest.
While in jail, Don asks to phone his lawyer and instead uses the call to reach Attorney General Robert F. Kennedy, who pressures the governor and police officers to release the two.
It states that Don continued to tour and create music, while Tony went back to his work at the Copacabana, and that they remained friends until dying months apart in 2013.
Actor Daniel Greene, who frequently appears in films directed by the Farrelly brothers, portrays Macon Cop #1.
[3] Peter Farrelly was set to direct from a screenplay written by Nick Vallelonga (Tony Lip's son), Brian Currie, and himself.
[9] On November 30, 2017, the lead cast was set with Mortensen, Mahershala Ali, Linda Cardellini and Iqbal Theba confirmed to star.
[13] Score composer Kris Bowers also taught Ali basic piano skills and was the stand-in when closeups of hands playing were required.
[14] The film is executive produced by Jeff Skoll, Jonathan King, Octavia Spencer, Kwame L. Parker, John Sloss and Steven Farneth.
The soundtrack also includes rarities from 1950s and 1960s American music recommended to him by singer Robert Plant, who was dating a friend of Farrelly's wife at the time he had finished the film's script.
During dinner on a double date, his wife and her friend stepped outside to smoke and the director asked Plant for advice on picking songs for the film that would be relatively unknown to contemporary audiences.
This rate doubled the next month as the album surpassed one million streams worldwide and became the highest-streamed jazz soundtrack in Milan's history.
[24] The film made $312,000 from 25 theaters in its opening weekend, an average of $12,480 per venue, which Deadline Hollywood called "not good at all", although TheWrap said it was a "successful start," and noted strong word-of-mouth would likely help it going into its wide release.
[30][31] The film had its wide expansion alongside the openings of Ralph Breaks the Internet, Robin Hood and Creed II, and was projected to gross around $7–9 million over the five-day weekend, November 21 to 25.
[38] In the film's 11th week of release, following the announcement of its five Oscar nominations, it was added to 1,518 theaters (for a total of 2,430) and made $5.4 million, an increase of 150% from the previous weekend and finishing sixth at the box office.
[39] The weekend following its Best Picture win, the film was added to 1,388 theaters (for a total of 2,641) and made $4.7 million, finishing fifth at the box office.
[41] Green Book was a surprise success overseas, especially in China where it debuted to a much higher-than-expected $17.3 million, immediately becoming the second highest-grossing Best Picture winner in the country behind Titanic (1997).
The website's critical consensus reads: "Green Book takes audiences on an excessively smooth ride through bumpy subject matter, although Mahershala Ali and Viggo Mortensen's performances add necessary depth.
But our investment in the characters rarely flags, thanks to Mortensen and Ali and a director who is interested in cleanly and efficiently delivering a story worth hearing.
"[50] Jazz artist Quincy Jones said to a crowd after a screening: "I had the pleasure of being acquainted with Don Shirley while I was working as an arranger in New York in the '50s, and he was without question one of America's greatest pianists ... as skilled a musician as Leonard Bernstein or Van Cliburn ...
"[51] Some critics thought Green Book perpetuated racial stereotyping by advancing the white savior narrative in film.
Morris argues that the film represents a specific style of racial storytelling "in which the wheels of interracial friendship are greased by employment, in which prolonged exposure to the black half of the duo enhances the humanity of his white, frequently racist counterpart".
"[55] Though the film was generally praised, Shirley's relatives criticized it because they thought it misrepresented the pianist's relationship with his family and they were not contacted by studio representatives until after development started.
"[58] Shirley's cellist Jüri Täht was surprised to see a stage of his life depicted in a movie, and that he had been replaced by a fictionalised version of himself (the character of Oleg).
Green Book had five nominations at the 76th Golden Globe Awards, with the film winning Best Motion Picture – Musical or Comedy.