Grey Gardens is a musical with book by Doug Wright, music by Scott Frankel, and lyrics by Michael Korie, produced in 2006 and based on the 1975 documentary of the same title about the lives of Edith Ewing Bouvier Beale ("Big Edie") and her daughter Edith Bouvier Beale ("Little Edie") by Albert and David Maysles.

Set at Grey Gardens, the Bouviers' mansion in East Hampton, New York, the musical tracks the progression of the two women's lives from their original status as rich and socially polished aristocrats to their eventual largely isolated existence in a home overrun by cats and cited for repeated health code violations.

Directed by Michael Greif with choreography by Jeff Calhoun, it starred Christine Ebersole, Mary Louise Wilson, and John McMartin.

According to an article in Playbill on November 21, 2007, composer Scott Frankel said there were no plans for a national tour based on the 2006-07 Broadway production, but "Dramatists Play Service, Inc. is handling the show's licensing to stock, amateur, university and resident theatres.

Directed by Michael Wilson, the cast featured Betty Buckley, Rachel York, Matt Doyle (Joe/Jerry), Simon Jones (Major/Peale), Howard McGillin (George Gould Strong), James Harkness (Brooks Sr./Brooks Jr.), Sarah Hunt (Young Edie), Gracie Beardsley (Lee), and Dakota Quackenbush.

[3][4] Buckley and York star in a production at the Ahmanson Theatre, Los Angeles, California, again directed by Michael Wilson in July and August 2016.

[5] The Australian premiere was a limited run from November 25 to December 4, 2011, presented by The Production Company at the Arts Centre Melbourne Playhouse.

[7] A Brazilian production opened on March 15, 2013, at the Sala Municipal Baden Powell in Copacabana, Rio de Janeiro, performing 32 times and closing on May 5, 2013.

[11] Songs omitted in the Broadway production: "Toyland", "Body Beautiful Beale", "Being Bouvier", "Better Fall Out of Love", "Tomorrow's Woman", "Peas in a Pod" (Reprise).

The songs from 'Grey Gardens,' with music by Scott Frankel and lyrics by Michael Korie, sustain a level of refined language and psychological detail as elevated as Stephen Sondheim's.