[2][3] During the climax, he mentions a woman named Marni, whom he says he does not want to talk about before changing his mind and rapping about how he wants to spend time with her even though she frustrates his other women.

[1] Vibe's Armon Sadler gave a favorable review of the song, commenting Cash Cobain "blends humor, an active sex drive, and cool flows seamlessly yet again.

[5] Sophie Caraan of Hypebeast wrote "Cobain shines through and through as he elevates his subtle yet catchy signature sound, while Cole's early presence on the cut hears him settle in with the track's jumpy sonic space.

"[10] Aaron Williams of Uproxx remarked "The song is definitely closer Cobain's wheelhouse than Cole's, yet the veteran rapper easily adapts to the new style.

"[14] Danilo Castro of HotNewHipHop had a positive reaction to Cash Cobain's performance, stating he "sounds slick as ever" and "the way he effortlessly glides over each little glitch and bouncy drum pattern feels symbiotic", but had a negative reaction toward J. Cole's feature, stating "there's something about Cash Cobain's production that trips him up.

There's a reliance on Auto Tune that's unpleasant to the ear, and a repetitive rhyme scheme that makes sense, yet quickly runs out of steam.