Grisélidis is an opera (described as a 'conte lyrique') in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand.

Massenet began composition in 1894, completing it by the end of that year, but revising it in the autumn 1898 prior to discussing a potential production with Albert Carré.

[3] According to Rodney Milnes, Grisélidis, on its own terms, is one of Massenet’s most successful operas and does not deserve neglect: the action moves swiftly, the instrumentation is economic and delicate, and the melodies unconstrained, with a skilful mixture of comedy and sentiment, and a vocally rewarding title role.

Four years later Grisélidis has a son and, as the Marquis departs on a Crusade, his servants promise to confine his wife, which he rejects, having complete trust in her.

The Marquis, on returning, meets the old man, who points out Grisélidis running to the shore, but seeing the ring on the Devil’s finger, realizes that he is the victim of deception.