Guido Marussig

After his initial training at the Scuola Industriale Triestina, Guido Marussig moved to Venice to attend the Academy of Fine Arts thanks to a scholarship from Trieste City Council.

He was a Symbolist painter influenced by the work of the Vienna Secession, and particularly the art of Gustav Klimt, and he also experimented with engraving techniques.

Towards the end of the decade he became a member of the Novecento Italiano group, whose poetics also influenced later works such as the mosaic Justice Entering the Courtroom (1939) in the Palazzo di Giustizia in Milan.

During subsequent decades his paintings acquired an ever greater degree of geometric abstraction, while he continued to work as a set designer and to contribute to various art periodicals.

He designed the sets for the first opera production at the Teatro alla Scala in Milan following its reconstruction after bombing during the Second World War.