[7] He exhibited regularly in galleries and museums in several countries in Europe, Asia, USA, including New York City, where he settled in the 2000s.
The greatest artists, from Alexander Calder to Richard Serra, including Joan Miró, have made their mark on the La Défense district.
[18][19][20] In 2016, Guillaume Bottazzi was invited to participate to the "Le French May" event, organized by the Consulate General of France in Hong Kong and Macau.
[22][23][24][25][26][27] Between 2016 and 2017, in Brussels, with the city and the European Commission, he created a painting 16 metres high that now forms part of the heritage of Brussels-Capital.
Areas disappear into the medium, an integral part of the work, giving an impression of infinity, forming impalpable elements and ethereal shapes.
His works leads us, the public, to change with them, stimulating our cognitive skills and forcing us to develop our own creative perception.
A study that was carried out by scientists Helmut Leder and Marcos Nadal from the University of Vienna proves that Guillaume Bottazzi’s art reduces anxiety in the people who look at it.