He wrote widely on issues of cultural identity, mixing ideas from anthropology, linguistics, psychology, philosophy, ethnology, sociology, and political science.
Tibón's ability to mix anecdotes, philosophical observations and political commentary on the culture of the countries he passed through proved popular.
[2] He argues that the name "America" is "a masterpiece of chance", and proceeds to trace its etymology from the personal name of Amerigo Vespucci to its Germanic original Amalric and to ancient roots, which he claims to link to the meaning "land of industrious and powerful men".
In El Ombligo como centro cósmico (1981), he argued for the survivals of "paleolithic magic" in a "prenatal triad" of umbilical cord, placenta and amniotic sac and on the navel as "cosmic center".
In Los Ritos Mágicos y Trágicos de la Pubertad Femenina (1984) he explored the "magic and tragic rites" of female puberty.