He possessed a gift for the grotesque and unusual, the colourful and humorous, which may be traced in part perhaps to his studies of non-Western music.
His greatest successes have been stage works, above all the opera Pomádé király uj ruhája (‘King Pomádé’s New Clothes’, based on the Andersen story), which draws most of its material from Hungarian folk music.
He also wrote a two-act mystery opera, Az ember tragédiája (The Tragedy of Man), based on the eponymous play by Imre Madách.
South Asian influences are particularly evident in Pentaerophonia for wind quintet, which imitates gamelan effects.
In some works he makes use of the Fibonacci series, following (presumably) Bartók; an example is the fantasy 1514 for piano and orchestra, which was based on wood carvings by Derkovits.