[5] One reviewer pointed out that the classical details were larger and placed more conspicuously, relative to the work of other modern (1910) French masters, with results that reflected the architect's individuality.

"[5] Along with two large carved crests, figural sculpture forms a horizontal visual band at the base of the roof, contributed by a team of sculptors.

The two side pavilions each carry two more allegorical figures on the sloping tops of open-bed pediments, Education and Vigilance, by Alphonse-Amédée Cordonnier, and Strength and Glory by Jean-Baptiste Hugues.

[8] Much of the minor carving here, as with the Tours train station, came from the decorative studios of Henri Varenne, Laloux's frequent collaborator and fellow Tourangeau.

[11] The municipal council chamber is decorated with a triptych showing three episodes in the life of Joan of Arc, by Jean-Paul Laurens (1901–1903).