She studied at the Académie de la Grande Chaumière, Paris, from 1981 to 1983, and at the Avni Institute of Art and Design, Tel Aviv, from 1983 to 1987.

In a 2011's solo exhibition at the Rothschild Fine Art Gallery Gad presented interior paintings focusing on the most mundane objects such as scattered underwear, a saucer with used tea bags, and a sink full of dishes.

[4] The works are generally associated with the myth of the Kibbutz, the ethos of the pioneers, and the place of graveyards, mourning and remembrance in early Israeli society.

The show explored looted art by the Nazis during World War II, some of which that was recovered and returned to their rightful owners or museums.

Based on archival photographs of the ruins of a Jewish assets whether of religious dwellings or objects of the minds such as books and drawings, Gad created large works that[9] examine the relation between memory and place.

[10] She was also influenced in part by her uncle involvement in the Second Polish Republic,[11] and depict the Great Synagogue that existed in the Free City of Danzig and was demolished in May 1939.