Being convinced that New Art needed time and space to unfold its impact, he intended to create a permanent situation for major, predominantly large-scale works by American and European artists.
A total of 5,500 square meters in a former textile factory had been transformed into an exhibition for New Art, with Joseph Beuys' two-storied work "Das Kapital Raum 1970-1977" at its core.
Carl Andre's Cuts (1967) that was scarcely on display because of its enormous dimensions of (9.35 m x 13 m and a weight of app.
The Italian artist Mario Merz installed a capacious "villaggio" (village) with igloos, vines and neon lights.
[1][2] Carl Andre, Joseph Beuys, Dan Flavin, Donald Judd, Jannis Kounellis, Sol LeWitt, Richard Long, Robert Mangold, Mario Merz, Bruce Nauman, Robert Ryman, Lawrence Weiner, ...