[3] Visiting Artists to the program included Hans Haacke, Allan Kaprow, Willoughby Sharp, Robert Wilson, Vito Acconci, Elaine Summers, Nam June Paik, Dennis Oppenheim, Carolee Schneemann, Karen Finley, Ben Vautier, George Kuchar, Yvonne Rainer, Trinh Minh-ha, Donald Kuspit, Roselee Goldberg, John Hanhardt, Barbara London, and many others.

[4][5][6] Breder received an Honorary Doctorate from the Technische Universität Dortmund in 2007 and retired as F. Wendell Miller Distinguished Emeritus Professor of Art in 2000.

"[9] Breder further explained his intermedia concept in the September, 2012 issue of Artforum: "..Digital technology allows me to excavate new worlds of microcosmic event horizons.

in Herodias, 2011, I aim for a dematerialization of content by entering into the microstructure of sound and imagery; I seek the immaterial or what in physics people speak of as ephemeral phenomena that cannot be reduced to mere things.

[12] He was included in Kineticism: System Sculpture in Environmental situations, (Official Olympic Games Exhibition), University Museum of Arts and Science, Mexico City, Mexico (1968); Painting Beyond the Death of Painting: Imagistic and Abstract Work, the first group exhibition of American Art at Kuznetzky Most Exhibition Hall, Moscow, USSR (1989); An American Odyssey 1945/1980, Circolo de Bellas Artes, Madrid, Spain (2004); Ana Mendieta and Hans Breder: Converge, Lelong Galerie, New York (2008), Mind's Mirror', Ethan Cohen Gallery, New York (2014), ...Inmixing: A Survey of Works from 1964 to Present, WhiteBox, New York (2009-2010), Kollisions Felder (Collision Fields), Museum Ostwall, Dortmund, Germany (2013).