Hans G. Adler

His mother, Johanna Nathan, was a professional soprano and performed for noted composers such as Brahms, Tchaikovsky, Busoni and Julius Stockhausen, who was her tutor.

[1] He studied music under Eduard Jung (a piano teacher from Dr. Hoch's Conservatorium, Frankfurt, specialising in talented future prospects) and left Nazi Germany for South Africa in 1933.

In addition, he acquired early keyboard instruments – a 1589 clavicytherium, clavichords, a glasschord, an octave spinet, harpsichords, a fortepiano and two modern Steinway grand pianos.

[9] Adler's library grew very comprehensive, especially in keyboard compositions and productions, and, together with the instrument collection, evolved into a museum housed in his Johannesburg home.

It was eventually willed to the University of the Witwatersrand in Johannesburg, who opened a "Hans Adler Memorial Museum" in their Arts Building in 1980.

Glasschord by Beyer, 1786, one of only four thought to be extant
Virginal by Andreas Ruckers, c1610
The collection's 1689 Menegoni octave spinet, one of only two known
The collection's 1750 Italian two-manual harpsichord
The ex-Wanda Landowska 16th-century gothic harpsichord
The collection's Frontispice by Ravel, published in 1919, then withdrawn due to copyright infringements, and officially published after WW2
Hans Adler's 1st edition copy of Leopold Mozart's Versuch einer gründlichen Violinschule
Three pages from the collection's 1492 incunabula Arithmetica Geometrica Musica by Boetius