Its first films were Lieb' mich, und die Welt ist mein (1924) and Strandgut (also 1924), which he shot in 1923 on Corsica and the French Riviera.
At the end of 1923 Breslauer began filming Hugo Bettauer's successful novel, Die Stadt ohne Juden ("City Without Jews").
Breslauer therefore changed a number of details during filming, as a result of which various allusions to the real world deliberately intended by Bettauer, were lost.
The reason for most of the deviations from the original was to reduce the political controversy of the film in order to avoid problems with censorship and alienating public opinion.
From 1940, the same year in which he joined the Nazi Party,[4] he contributed light pieces to newspapers across the entire Third Reich, for example the Breslauer Neueste Nachrichten, the Essener Allgemeine Zeitung and the Leipziger Tageszeitung.
After the end of World War II Breslauer and his wife moved to Loibichl near Mondsee in Upper Austria, where they rented rooms in a guesthouse.