Harikambhoji

[1] Its ārohaṇa-avarohaṇa structure is as follows (see swaras in Carnatic music for details on below notation and terms): (notes used in this scale are chatushruti rishabham, antara gandharam, shuddha madhyamam, chatushruti daivatam, kaishiki nishadham) It is a sampoorna rāgam – rāgam having all 7 swarams.

He has composed the popular kritis Ramanannu brovara, Entara Neethana, Nenendhu Vedakudhura, Enduku Nirdaya, Undedi Ramudu, Chanithodi, Dinamani Vamsha amongst many others.

Papanasam Sivan has composed Enadhu manam kavalai, Pamalaikkinai Undo and Paadamalar Tunaiye which are popularly performed among other kritis.

Other popular compositions include: Muruga Tirumal Maruga by Thanjavur Sankara Iyer, Saketha Nagara Natha by Mysore Sadashiva Rao, Rama na Moralincara by Walajapet Venkataramana Bhagavatar, Vinata Suta Vahanudai by KV Srinivasa Iyengar, Karomi smaranam shashanka-vadanam by Ashok R Madhav.

Harikambhoji's notes when shifted using Graha bhedam, yields 5 other major melakarta rāgams, namely, Kalyani, Sankarabharanam, Natabhairavi, Kharaharapriya and Hanumatodi.