Harlekin

It was begun at Easter 1975 in Morocco, and completed on Christmas Eve of the same year on Big Corn Island off the coast of Nicaragua.

[3] Harlekin is composed using formula technique and falls into seven sections, which are played without a break: Part 6 is subdivided into two parts, titled "Dialog mit einem Fuß" (Dialog with a Foot) and "Harlekins Tanz" (Harlequin's Dance).

[4] The work is based on a melodic formula first exposed in its full form in section 3, "Der verliebte Lyriker".

[5] The cyclic compositional processes are associated with rotating movements by the performer, which recall the rotating movements of electronic sounds in Kontakte, and the improvised motions produced by use of the "sound mill" in the spherical auditorium of the German Pavilion at Expo '70 in Osaka.

[7] "Harlequin's Dance", the second subsection of part 6, became an independent piece with the title Der kleine Harlekin, and was given the work-number 42½.

Harlequin in German itinerant theatre
Suzanne Stephens, for whom Harlekin was written