[2][3][4] It now comprises "over one hundred and fifty boxes of manuscripts, scrapbooks, letters, photographs, programmes, and emails," constituting "an invaluable resource for researchers and scholars of Pinter's work for stage, cinema, and poetry.
[2][3] According to the official BL press release, citing its head of Modern Literary Manuscripts, Jamie Andrews, the "extensive collection of correspondence" of "over 12,000 letters" in its expanded Pinter Archive "encompasses the personal, professional and political aspects of the legendary writer, whose career has covered directing, acting, screenwriting, poetry and journalism, as well as his original work for the theatre" and documents Pinter's "key role in post-War theatre and film ... through his extensive correspondence with [other] leading playwrights and literary figures such as Simon Gray, David Hare, David Mamet, Arthur Miller, John Osborne, and [Sir] Tom Stoppard, as well as actors and directors including Sir John Gielgud [corrected] and Sir Peter Hall.
"[3] From 10 January through 13 April 2008, the British Library exhibited a "small temporary display, 'His Own Domain: Harold Pinter, A Life in Theatre', featuring a range of unique manuscripts, letters, photographs, and sound recordings from the archive charting Pinter's life in the theatre as an actor, director, and writer of some of the most significant and celebrated plays of the twentieth-century.
Andrews begins by relating his experience as an invited panellist in the Allied Organization Program arranged by the Harold Pinter Society at the 2008 MLA Convention, on 28 December.
Having catalogued the expanded Harold Pinter Archive (Add MS 88880), comprising 504 volumes, the British Library (BL) reopened it to qualified scholars for research in the Modern Literary Manuscripts room, where it is housed, on 2 February 2009.