Harry Mathews

He left Princeton in his sophomore year for a tour in the United States Navy, during the course of which (in 1949) he eloped with the artist Niki de Saint Phalle, a childhood friend.

His military service completed, Mathews transferred to Harvard University in 1950; the couple's first child, Laura Duke Condominas, was born the following year.

After Mathews graduated in 1952 with a Bachelor of Arts degree in music, the family moved to Paris, where he continued studies in conducting at I’École Normale de Musique.

Mathews was the first American chosen for membership in the French literary society known as Oulipo, which is dedicated to exploring new possibilities in literature, in particular through the use of various constraints and textual algorithms.

Each novel displays the author's taste for improbable narrative invention, his humor, and his delight in leading the reader down obscure avenues of learning.

[10] At the outset of his first novel, The Conversions, the narrator is invited to an evening's social gathering at the home of a wealthy and powerful eccentric named Grent Wayl.

Not long after the party, Wayl dies, and the bulk of his vast estate is left to whoever possesses the adze, providing that he or she can answer three riddling questions relating to its nature.

The Sinking of the Odradek Stadium, like The Conversions, is the story of a hunt for treasure, this time told through a series of letters between a Southeast Asian woman named Twang and her American husband, Zachary McCaltex.

As in the earlier novels, there are various odd occurrences and ambiguous conspiracies; many of the book's set-pieces revolve around a secret society (The Knights of the Spindle), which Zachary is invited to join.

A case in point is the piece entitled "Country Cooking from Central France: Roast Boned Rolled Stuffed Shoulder of Lamb (Farce Double)."

[19] Mathews, along with his second wife Marie Chaix, appears as a minor character in the novels What I Have Written by John A. Scott, The Correspondence Artist by Barbara Browning, and The Hidden Keys by André Alexis.