Despite his humble origins, he showed a talent for poetry,[1] resulting in the publication in the Hamburg Modezeitung of verses which he had sent to Amalie Schoppe (1791–1858), a popular journalist and author of nursery tales.

In 1842 he visited Copenhagen, where he obtained from King Christian VIII a small traveling stipend, which enabled him to spend time in Paris and two years (1844–1846) in Italy.

On his return from Italy, Hebbel met in Vienna two Prussian noblemen of the Zerboni di Sposetti family, who in their enthusiasm for his genius urged him to remain, providing financial support that allowed him to mingle in the best intellectual society of the Austrian capital.

In choosing this path, he abandoned Elise Lensing (who remained faithful to him until her death), on the grounds that "a man's first duty is to the most powerful force within him, that which alone can give him happiness and be of service to the world" -- in his case the ability to write, which would have perished "in the miserable struggle for existence."

As late as 1851, shortly after her death, he wrote the little epic Mutter und Kind, intended to show that the parent-child relationship is the essential factor for happiness, among all classes and under all conditions.

In 1872 Samuel de Lange used Hebbel's poem "Ein frühes Liebesleben" in an unusual instrumentation for voice, string quartet and harp.

An arrangement with piano instead of harp was made during a centennial revival of Samuel and Daniël de Lange [nl]'s music.