"[3] In contemporary reviews,Variety said "Val Guest’s taut screenplay, allied to his own deft direction, has resulted in a notable film in which the characters are all vividly alive, the action constantly gripping and the background of a provincial city put over with authenticity.

"[4] Kine Weekly wrote: "The tale is fiction, but its types, expertly portrayed by a hand-picked cast – Stanley Baker adds another commanding portrait to his already long and impressive gallery as the hero – thoroughly convince, while apt asides, embracing sentiment and sex, subtly punctuate the rough stuff.

This film may not re-create the atmosphere of Manchester any more effectively than Violent Playground (1958) did that of Liverpool, but in the coin-tossing game on the dingy moor outside a little factory town it has a most striking outdoor sequence, thanks in great measure to Arthur Grant's stark photography and the choice of extras who really look their parts. ...

Elsewhere, Val Guest's script and direction maintain a hectic pace, with frequent scene changes, mobility of camera and performers, and much rapid, loud, intense dialogue, all making most recent American gangster films seem weakly constructed and slow-moving.

[11] The Manchester Evening News said " With its panoply of bantering barmaids, silver-tongued felons and lush wives, a clipped camera style and hard-boiled sensibilities (which seem a little bit Z-Cars now), Hell Is A City is probably a film which deserves to have featured more prominently in British movie memory.