Jeanne-Henriette Tirman (9 July 1875 in Charleville-Mézieres (Ardenne) – 30 October 1952 in Sèvres (Hauts-de-Seine)) was a French woman painter and printmaker.

She painted in a manner that respected Cézanne's ideas of logical composition, simple tonality, solidity of volume, and distinct separation of planes.

While Matisse represented the reflective and rationalized aspects in the group, Tirman embodied a more spontaneous and instinctive style.

[8] Since 1906 to 1951[9] she exhibited her paintings at the Salon d'Automne[10] and at the Salon Société Nationale des Beaux-Arts[11] Since 1907 exhibited at the Salon des Indépendants[12] where her paintings were put together with those of Henri Matisse, René Schützenberger, Maurice de Vlaminck, Robert Delaunay, Othon Friesz, Wassily Kandinsky, Paul Signac, Georges Braque, Raoul Dufy, Henri Manguin, Georges Braque, Louis Valtat, Charles Camoin, Albert Marquet, Félix Vallotton and other artists.

[13] In 1919 she was working on illustrations of La Gerbe periodical in Woodcut technique[14] together with Paul Signac,[15] Henri Ottmann and other painters.