Henri Jean-Baptiste Victoire Fradelle (1778–1865) was a Franco-English Victorian painter and portraitist, specializing in literary, historical, and religious subjects.

For more than a hundred years, he was confused with his son, Henry Joseph Fradelle (1805–1872), who was trained as an artist but had several professions, including infirmary supervisor.

[3] Over a period of about 30 years in England, Fradelle exhibited 36 pictures at the British Institution,[4] including The Cloister of the Carthusians at Rome Built by Michael Angelo; The Porch of St. Ambrose at Milan; Chatelar Playing the Lute to Mary Queen of Scots; Belinda at Her Toilette; The Earl of Leicester's Visit to Amy Robsart at Cumnor Place; Ivanhoe, Queen Elizabeth and Lady Paget; Origin of Painting; Souvenirs d'Italie—Il Sospiro, an Italian Dance; and Othello and Desdemona.

The Earl of Leicester's Visit to Amy Robsart at Cumnor Place is exhibited at Petworth House (the preparatory drawing for the latter is in the British Museum, London), and Fradelle's Othello Relating the Story of His Life to Brabantio and Desdemona is now part of the Royal Shakespeare Company Collection in Stratford upon Avon.

[6] Many of Fradelle's works were engraved by artists such as Charles Turner (for example, The Earl of Leicester's Visit to Amy Robsart at Cumnor Place), William Say (Queen Elizabeth and Lady Paget and Belinda at Her Toilette, as well as The Interview Between Lady Jane Grey and Dr. Roger Ascham), R. Smart (Princess Elizabeth at Woodstock), J. Jazet (Chatelar Playing the Lute to Mary Queen of Scots), V. Rogers and A. Duncan (both of whom engraved Mary Queen of Scots and Her Secretary Chatelar), and U. Denis (Belinda at Her Toilette).