Herm (sculpture)

A herma (Ancient Greek: ἑρμῆς, plural ἑρμαῖ hermai),[1] commonly herm in English, is a sculpture with a head and perhaps a torso above a plain, usually squared lower section, on which male genitals may also be carved at the appropriate height.

[4] In ancient Greece the statues were thought to ward off harm or evil, an apotropaic function, and were placed at crossings, country borders and boundaries as protection, in front of temples, near to tombs, outside houses, in the gymnasia, palaestrae, libraries, porticoes, and public places, at the corners of streets, on high roads as sign-posts, with distances inscribed upon them.

[8] This superstition persists, for example the Porcellino bronze boar of Florence (and numerous others like it around the world), where the nose is shiny from being continually touched for good luck or fertility.

[9] Though it was never proven, the Athenians at the time believed it was the work of saboteurs, either from Syracuse or Spartan sympathizers from Athens itself; one suspect was the writer Xenophon.

[10] Enemies of Alcibiades, using the anger of the Athenians as a pretext to investigate further desecrations, accused him of other acts of impiety, including mutilations of other sacred objects and mocking performances of religious mystery ceremonies.

Once he had left on the expedition, his political enemies had him charged and sentenced to death in absentia, both for the mutilation of the hermai, and the supposedly related crime of profaning the Eleusinian Mysteries.

Herma of Demosthenes from the Athenian Agora , work by Polyeuktos, c. 280 BC , Glyptothek
Herma with the head of Herakles (Hermherakles). Museum of Ancient Messene, Greece.
Herma with the head of Herakles (Hermherakles). Museum of Ancient Messene, Greece
Archaic bearded head of Hermes from a herm, early 5th century BC