Hernan Bas

[1] Bas is known for his depictions of waifs and dandies, who are somewhat based on his own experiences, and his work with the material SlimFast and the paranormal.

The building is on a block called Service Street noted for the number of diverse and accomplished artists that work there, including techno music pioneer Derrick May.

[3] Because of his early art education, Bas did not feel that he needed any more formal training and left the Cooper Union after one semester.

[7] One year later, in 2005, Bas participated in two more group exhibits, The Triumph of Painting: Part III, at the Saatchi Gallery in London, England and in New Worlds - New Romanticism in Contemporary Art, at Schirn Kuntshalle, in Frankfurt, Germany.

[3] In 2007, Bas had a major presentation at the Rubell Family Collection in Miami, which travelled to the Brooklyn Art Museum in 2008.

[7] In 2009, Bas participated in the group exhibit "the Collectors," curated by Elmgreen & Dragset for the Nordic and Danish Pavilions at the 53rd Venice Biennale.

[6] In 2012, Bas had shows in New York, at the Lehman Maupin Gallery, and in Paris, at Galerie Perrotin, and South Korea.

[7] MOCA Los Angeles has four works by Bas in the permanent collection: Hell Hound, Parade Boy, My New Boyfriend, and Sleepwalker.

[3] Bas' homosexuality has also been an influence specifically in works like his series Bloodwerk, Bright Young Things, and Supernatural.

[4] In Bright Young Things, Bas indicated that he was trying to rewrite history to bring queerness to light in a time when it was not widely exposed, in the case of his series, the 1920s.