Hinduism, with its 1.2 billion followers, is the religion of about 15-16 % of the world's population[1] and as such the culture that ensues it is full of different aspects of life that are effected by art.
[2] Since religion and culture are inseparable with Hinduism recurring symbols such as the gods and their reincarnations, the lotus flower, extra limbs, and even the traditional arts make their appearances in many sculptures, paintings, music, and dance.
It is thought that before the adoption of stone sculpture, there was an older tradition of using clay or wood to represent Indian deities, which, because of their inherent fragility, have not survived.
[7] The dancing girls on some of the coins of Agathocles and Pantaleon are also sometimes considered as representations of Lakshmi, the consort of Vishnu, but also a Goddess of abundance and fortune for Buddhists, or Subhadra, the sister of Krishna and Balarama.
[7] By 100 BCE in the art of Mathura, reliefs start to represent more complex scenes, defining, according to Sonya Rhie Quintanilla, an age of "iconic diversification and narrative maturation".
The three Vedic gods Indra, Brahma and Surya were actually first depicted in Buddhist sculpture, as attendants in scenes commemorating the life of the Buddha, such as his Birth, his Descent from the Trāyastriṃśa Heaven, or his retreat in the Indrasala Cave.
Along with almost all the major cult icons Visnu, Siva, Surya, Sakti and Ganapati, a number of subsidiary deities of the faith were given tangible form in Indian art here for the first time in an organized manner.
[17] The first known creation of the Guptas relate to Hindu art at Mathura is an inscribed pillar recording the installation of two Shiva Lingas in 380 CE under Chandragupta II, Samudragupta's successor.