Old master prints, nearly all on religious subjects, served many of the same functions as holy cards, especially the cheaper woodcuts; the earliest dated surviving example is from 1423, probably from southern Germany, and depicts Saint Christopher, with handcolouring, it is found as part of the binding of a manuscript of the Laus Virginis (1417) which belongs to the John Rylands Library, Manchester.
[5] The invention of chromolithography made it possible to reproduce coloured images cheaply, leading to a much broader circulation of the cards.
An early centre of their manufacture was in the environs of the Church of St Sulpice in Paris; the lithographed images made there were done in delicate pastel colours, and proved extremely influential on later designs.
[6] In the World War II era, "millions of cards featuring the Head of Christ were distributed through the USO by the Salvation Army and the YMCA to members of the American armed forces stationed overseas".
[7] During the Cold War, both Catholics and Protestants helped to popularize these cards, presenting "a united front against the menace of godless Communism".