Hrand Nazariantz

In 1907 he went back to the Ottoman Empire because of his father's illness, to take over the management of the family business, established in the production of carpets and lace, which gave work to about two thousand workers, located in the districts of Üsküdar, Kumkapı, Kadıköy.

In 1908 he published the newspaper Surhantag (The Messenger) with Dikran Zaven, and in 1909 he founded the political and literary weekly Nor Hosank (New Wave), in collaboration with Karekin Gozikyan, called Yessalem,[1] who was the founder of the first workers' union of the Armenian press in the Ottoman Empire (Matbaa İşçileri Meslek Birliği).

the test was preceded by a letter of recommendation from a famous linguist, philologist and translator of Dante's era father Arsen Ghazikian of Mechitar Congregation of Venice.

From 1913 appear the original versions of the texts Aurora, soul of beauty, Gloria Victis, The Crown of Thorns, The great hymn of cosmic tragedy and an essay on Hranush Arshagyan.

Among these are undoubtedly highlighting Giovanni Verga, Luigi Pirandello and later Umberto Zanotti Bianco, and many other well-known Italian and European intellectuals associated with the Masonic and Rosicrucian fraternities.

Sentenced to death in absentia by a court of the Ottoman Empire in 1913, he found asylum in the Italian Consulate of Constantinople, and once he obtains the nationality following marriage to the singer from Casamassima, Maddalena De Cosmis,[2] called Lena, occurred on February 10, he moves to Bari in exile.

The poet Gian Pietro Lucini, a friend of Nazariantz, two years before marriage, in fact, addressed his letters to the "family De Cosmis-Nazariantz" at "the Italian Post Office at Galata suburb of Constantinople".

Following Nazariantz comes into contact with avant-garde Sicilian magazines hosting his contributions: The climb(1917), The Literary Kindler (1917) and La spirale where in 1919 has published an extract from the poem Lo Specchio.

The two work together to organize, with the help of Giuseppe Laterza, Giacomo Favia, Tina Suglia, and others, the Futurist evening at Teatro Piccinni of Bari, September 26, 1922.

A few months later, on January 2, 1923, the evening's program at the futuristic Teatro Margherita Bari includes "the mimic action-drama" entitled "Lo specchio", with music by Franco Casavola Nazariantz inspired by the poem.

Throughout his life, maintained a great admiration for the fairer sex, which had a glimpse of the symbolism of Miriam, due, perhaps, the mystical and esoteric teachings of Giuliano Kremmerz.

The Sicilian poet Enrico Cardile, wrote of him: "Nazariantz is a man of inexhaustible energy, a consistently exceptional, with a prodigious enthusiasm, fascinating in its resolute modesty.