Due to their involvement in this avant garde cultural movement, the leaders lost their jobs and were jailed by the incumbent government.
According to Pradip Choudhuri, a leading philosopher and poet of the generation, whose works have been extensively translated in French, their counter-discourse was the first voice of post-colonial freedom of pen and brush.
Besides the famous four mentioned above, Utpal Kumar Basu, Binoy Majumdar, Sandipan Chattopadhyay, Basudeb Dasgupta, Falguni Roy, Subhash Ghosh, Tridib Mitra, Alo Mitra, Ramananda Chattopadhyay, Anil Karanjai, Karunanidhan Mukhopadhyay, Pradip Choudhuri, Subimal Basak and Subo Acharya were among the other leading writers and artists of the movement.
The movement was officially launched, however, in November 1961 from the residence of Malay Roy Choudhury and his brother Samir Roychoudhury in Patna.
Howard McCord published Malay's controversial poem Prachanda Boidyutik Chhutar (i.e. Stark Electric Jesus) from Washington State University in 1965.
Into German by Carl Weissner,in Spanish by Margaret Randall, in Urdu by Ameeq Hanfee, in Assamese by Manik Dass, in Gujarati by Nalin Patel, in Hindi by Rajkamal Chaudhary, and in English by Howard McCord.