Hypermodernism is a cultural, artistic, literary and architectural successor to modernism and postmodernism in which the form (attribute) of an object has no context distinct from its function.
Unlike postmodernism and modernism, hypermodernism exists in an era of fault-tolerant technological change and treats extraneous attributes (most conspicuously physical form) as discordant with function.
Synchrony between previously-clashing objects (now attributes) and amorphous self-identity coupled with allusions to a magical existence acknowledge the movement.
He introduced "hyper-modern," a concept akin to post-modernism but with a heightened and inexorable significance, emphasizing new technologies, markets, and global culture.
An example is the touchscreen, in which the attribute on the screen (ratio, shape, color, animation) becomes the focus of interaction as opposed to manipulation by an external tool i.e. cellphone keyboard.