[13] The Calgary Herald determined that the "heavy-handed protest anthems are the album's weaker entries.

"[19] The Globe and Mail deemed the album "a delightful piece of work: funny, committed, romantic and charming.

"[20] The Washington Post wrote that Phranc "has a warm but not particularly lovely voice, and her strumming is basic at best, but she's a folk singer in the true sense of the word—she seizes her inspiration of the moment and makes music about it.

"[21] The Houston Chronicle praised the "earnest, endearing quality not unlike Jonathan Richman.

"[17] AllMusic wrote that "'Myriam and Esther', a traditional folk ballad with a distinctly female perspective, is the type of earnest song that only Phranc seems able to pull off in post-modern times.