I Love Trouble is a 1994 American romantic action comedy film starring Julia Roberts and Nick Nolte.

Sabrina and Peter meet up at a restaurant and look at a photo taken of the company employees at a party: they identify Chess, Beekman & Hervey, a research scientist.

While getting on the plane, Peter calls Sam, and is told that his phone is extension 307 - same as note on the paper that the gunman had earlier.

Sabrina had the microfilm with her, and both the Globe and the Chronicle run the story about the Chess company knowingly selling a product that causes cancer.

The site's consensus states: "There appears to be no Love lost between the fatally mismatched coupling of Julia Roberts and Nick Nolte in this screwball misfire that just isn't worth the Trouble.

"[10] Audiences surveyed by CinemaScore gave the film a grade B on scale of A to F.[11] Todd McCarthy of Variety wrote: "The goings-on seem lacking in wit and inspiration, tolerably entertaining but far from effervescent.

"[12] Roger Ebert of the Chicago Sun-Times wrote: "Maybe it would have been funnier if the evil cow conglomerate had been replaced by something sillier and more lightweight; it's hard to sustain a romantic comedy in the face of death threats.

He added: Although Julia Roberts and Nick Nolte beaming out at the world from "Trouble" posters everywhere point to a light and frothy concoction, that's not what filmmaking team Nancy Meyers and Charles Shyer (she produces, he directs, they both write) have delivered.

The film's jeopardy sequences are ineffectual and cast a pall over the romantic comedy aspects, which are not especially entrancing despite the star power.

No one expects movies like this one, set as it is in the largely mythological world of fiercely competitive daily newspapering, to be realistic.

[14]A mildly positive review of the film was contributed by Caryn James of The New York Times, who told her readers, "don't go to I Love Trouble looking for realism.

And don't even bother comparing it to the classic spar-until-they-fall-in-love movies of the 30's and 40's, even if this film begs an audience to make that self-defeating connection.

They may not be the first couple that pops into mind to play gritty, love-resisting reporters, but they make the film an appealing, easy-to-take confection.

With only two weeks to rescore the film, Newman - who usually orchestrates the bulk of his scores himself - used a small army of orchestrators to help him complete the score: Scott Smalley, Chris Boardman, William Kidd, Peter Tomashek, Steven Bramson, Christopher Klatman, Don Davis, Joel Rosenbaum, Arthur Kempel (misspelt "Kempl" in the end credits), Mark McKenzie, Brad Warnaar (misspelt "Warner" in the end credits), and John Neufeld.