The work was composed to celebrate the retirement of Robert Hurwitz, the longtime president of Nonesuch Records.
"[2] The composer later explained the title of the work in an interview with The Mercury News, remarking, "I'd organized a concert in [Robert's] honor at the Brooklyn Academy of Music and asked about 10 of the composers he'd worked with to write short pieces.
'"[3] Reviewing the world premiere, Mark Swed of the Los Angeles Times described the piece as "impressive" and "intensely played" by Denk.
[1] Reviewing a later performance at the Kravis Center for the Performing Arts, Kevin Wilt of the South Florida Classical Review wrote, "A short, curious piece, which, like Adams' string quartet concerto, Absolute Jest, it plays in the sandbox of other composers to Adams's clear enjoyment."
He added, "Adams here toys with fragments and progressions borrowed from Bach and Beethoven, allowing Denk to provide a whimsical spin on a familiar language.