[2] The concept of the album was to bring Tim Scott’s Guitar Mashing to a much wider audience which has been reiterated by the national magazine critique.

He began attaching his bewilderingly fine guitar-noodling to the kind of rhythms you would expect to hear in a Balearic club rather than a rock venue.

Instead of mind-numbing club music requiring disco pharmaceuticals just to get through (Volume XIV), Tim Scott gives us an album of expressive, shred-vibed guitar set to dance beats.

There's even, dare we say it, a touch of Brian May in his cascading melodic runs, while super-swift tapping joins standard funky, tropical beats on tracks such as Rio Gold Dust.

Here seven highly intricate instrumental tracks have been given a solid dance back beat and a remix that makes them fun to listen to, and even if you're not about to spend the night in a sleazy club in Ibiza this is guaranteed to bring a smile to your face.